1982 & 1983: Sweet Honey in the Rock

I have at least 10 T-shirts directly related to music, but they have different roots and take off in different directions. No surprise that my attempts to corral them into one blog post led to procrastination, so I’m going to do what a long-ago mentor advised: “chunk them down.” Here’s the first chunk.

I like to think that by 2021 everyone knows Sweet Honey in the Rock, but if you don’t, or even if you do, head on over to YouTube and cue up Sweet Honey — All Tracks. That’ll give you a great soundtrack to read this post by and go about the rest of your day.

Sweet Honey was founded in D.C. in 1973 by Dr. Bernice Johnson Reagon, a lifelong activist, cultural historian, and composer as well as Sweet Honey’s leader for three decades until she retired in 2004. (For an intro to her accomplishments, check out her Wikipedia entry and her own website.)

Just about every year I was in D.C., Sweet Honey did an anniversary concert. I went to most of them. The T-shirt on the left in the photo is from the 1983 one and the one next to it is from 1982.

I was definitely at the 1980 edition at All Souls Church, at which the Good News album was recorded. Good News, released in 1981, was Sweet Honey’s third album. The other one in the photo, B’lieve I’ll Run On . . . See What the End’s Gonna Be, was #2; it came out in 1978 on Holly Near’s Redwood label.1 I’m relieved to report that both are in remarkably good shape.

I’ve often said over the decades that I’ve learned plenty of history from music. When I was a young antiwar activist, songs from the civil rights and labor movements started conversations and gave me clues to follow up on. Decades later the songs of Stan Rogers and James Keelaghan, among others, taught me lots about Canadian history and current events that weren’t well covered south of the border. Sweet Honey’s songs often pulled people and events out of the history books or off the front pages and embedded them in mind and heart in ways that the printed page often can’t.

The songs make connections.2

Chile your waters run red through Soweto
If you heard about Chile
then you heard about Soweto . . .
     © Bernice Johnson Reagon

The sounds from the jail cells
of the Wilmington 10
Are echoes of a massacre
keeping Black freedom locked in . . .
     “Echoes,” ©Bernice Johnson Reagon

They call to action.

If you had lived with Denmark Vesey
would you take his stand . . .
If you had lived with Harriet Tubman
would you wade in the water . . .
If you had lived with Sacco & Vanzetti
would you know their names . . .
Do you hear them calling?
Are you living today?
Are you fighting today?
Do you know our names?
Do you know our names?
Do you hear our cries?
     © Bernice Johnson Reagon

That’s not all they do, of course. These albums, and Sweet Honey concerts, included love songs, songs of celebration, and songs that remind us of the generations that precede us and those that follow, like Ysaye Barnwell’s settings of “Breaths” by Birago Diop and “On Children,” lines from Kahlil Gibran’s The Prophet.

At the concert that became Good News Bernice Johnson Reagon interrupts the singing of the title song to say a few words:

It’s good news when you reject things as they are,
when you lay down the world as it is
and you take on the responsibility of shaping your own way —
that’s good news.

Everybody talk about spirituals and they say,
Oh lord, black folks singing about going to heaven!
No, this message is for you tonight November the 8th, 1980, in All Souls Church:
Lay down the world, pick up my cross
They don’t say it’s good times, they say good NEWS
It’s hard times when you decide to pick up your own cross
you gon’ catch hell if you don’t do it the way they say do it
but when you lay down the world and shoulder up your cross that’s —
GOOD NEWS
     © Bernice Johnson Reagon

I do believe I remember myself well enough from that time to suspect that this message was aimed at me — not me alone, of course, but me among the white women who looked askance at Christianity and God-talk of any kind. My antiwar years had introduced me to Christian traditions that opposed war and fought for justice, to the role of Jews in every progressive movement I ever heard of, and of course to the importance of the Black church in the civil rights movement. But feminism had given me another take on “God the Father” — hell, Mary Daly’s Gyn/Ecology had come out only two years before and I was very much under the influence.

Bernice’s words gave me a whole other take on it. Decades later, on Martha’s Vineyard, I wound up singing in a spirituals choir and learning more about the spirituals, or slave songs. Many of them had double meanings, one for the white masters, one for the Black enslaved people. They were songs of survival and, often, resistance.

Kimberlé Crenshaw, lawyer, scholar, and activist, coined the term “intersectionality” in 1989.3 It refers to the way that the various aspects of our individual identities — race, sex, class, age, sexuality, etc. — intersect synergistically. These days, I have a hard time explaining to people how intersectional grassroots feminism was in the 1970s and ’80s. Listening to the songs on B’lieve I’ll Run On and Good News gets the point across better than I can, and it takes less time than locating and reading the anthologies that broadened and deepened our understanding of how some of those aspects intersect.

From “Every Woman”:

Every woman who ever loved a woman
You oughta stand up and call her name:
Mama — Sister — Daughter — Lover
     © Bernice Johnson Reagon

Mama, sister, daughter, lover.4 This song was recorded, and being sung in concert, in 1978, people. Keep that in your mind and heart.

Notes

1. All the songs on Good News, and several more, are on Breaths, released in 1988 on Rounder Records. The track for “Good News” includes the Bernice rap that I quoted above, so I’m guessing the whole thing is from that concert. It’s in the iTunes store, so it’s definitely available. No such luck with B’lieve I’ll Run On. Redwood Records went out of business in the 1990s, before the digital music biz got going, but used copies of the vinyl LP and, apparently, a CD can be found by Googling.

2. The references in these two excerpts: “Chile” refers to the overthrow and death by suicide of Chilean president Salvador Allende in 1973. The military coup was supported by the CIA. “Soweto,” a township near (and now part of) Johannesburg, South Africa, refers to the uprising of Black students in June 1976 who were protesting the introduction of Afrikaans as the language of instruction in the schools. They were met by violent police repression. Official statistics set the number of dead at 176; estimates range as high as 700, and at least 4,000 were injured. The Wilmington 10 were 9 young men and 1 woman wrongfully convicted of arson and conspiracy in 1971. Their convictions were overturned in 1980, after all 10 had served almost a decade in prison. They were not retried, and they were pardoned in 2012, by which time 4 of them had died. Their case was a major rallying point through the 1970s.

3. I’m a serious fan of Kimberlé Crenshaw. Check out her African American Policy Forum. Among others things, it organizes excellent panel discussions on a variety of topics. Important podcasts too. Crenshaw helps keep the focus on Black girls and women with #SayHerName, which refuses to let the Black women killed by police be forgotten, and #BlackGirlsMatter. She’s also an early exponent of Critical Race Theory, which isn’t what Fox News thinks it is — but you already knew that, right? 😉

4. Mother, Sister, Daughter, Lover was the title of a story collection by Jan Clausen, published by Crossing Press in 1980.

1979–1980: Take Back the Night (and the Clinic, and the Newspaper)

We’d been warned all our lives: Don’t go out at night, and most especially don’t go out alone at night. “Alone” implied “unaccompanied by a man.” When I was a student at Georgetown University, a series of rapes and assaults on campus prompted male students to organize an escort service to see female students safely home from the library at night.[1] The Take Back the Night movement that arose in the 1970s believed that women should be able to walk anywhere we wanted any time of day, alone or with others, in safety. Women shouldn’t have to depend on men to protect us from — it was understood, if often not spoken aloud — other men.

I’ve got three Take Back the Night T-shirts, two from particular events (the ones with dates on them), one more general. The 1981 march in D.C. I must have attended. I’m not sure in what city the 1979 event took place, or how I came by the T-shirt. In 1979, there was a Take Back the Night march in D.C. I definitely attended and it definitely had a T-shirt, but not long after the event I donated mine to the Lesbian Herstory Archives.

Nevertheless, I can see it in my mind’s eye: a big black women’s symbol set on the diagonal, with words clustered around it, all on an orange background. Halloween colors. I don’t remember what the words said. They probably included the date, but I don’t remember that either. The event left such a bad taste in my mouth that I was never going to wear the shirt, so I gave it away.

If you have any info on where this march took place, please let me know! Text: “Women Unite! Take Back the Night, August 18, 1979.”

The organizers had bitterly debated what role men should play in the march. I and most of my lesbian-feminist friends opposed male participation: didn’t it send a message that women needed male support to “take back the night”? The counterargument was that straight women wouldn’t participate if men were excluded. Those opposed to male participation were generally white, lesbian and/or radical feminist, and relatively new to D.C. Those advocating for it were generally black and straight and had deeper roots in the community. The upshot was that men were welcome to join in.

At the event itself, a contingent of black men either worked or pushed their way to the head of the march: after-the-fact reports varied, and I was too far back in the line to see what was happening. However it happened, men wound up leading a march that was supposed to be about women empowering ourselves.

In the next few years I came to realize that what happened that night had its roots in the planning process, and even deeper roots in the explosive mix of racism, sexism, and heterosexism that few of us paid enough attention to and none of us knew how to deal with. Would things have worked out differently if all the lesbians hadn’t been white and all the black women hadn’t been straight?

I wish now that I had kept that T-shirt. If I wore it today, people might say, “Cool shirt! Where did you get it?” None of them would likely know the backstory, and if anyone did — well, I’d want to know what they remembered and what their perspective on the whole thing was, then and in retrospect. What side they were on wouldn’t matter much. If I could teleport back to 1979 with my 2021 consciousness intact, I wouldn’t be standing in exactly the same place either.

That 1979 march taught me plenty, though it took a few years for the lessons to sink in. It’s possible to give something away without letting it go.[2]


I was learning that it wasn’t just the night that we needed to take back, or, more accurately, claim for the first time. Around that time I was volunteering with the Lesbian Resource and Counseling Center (LRCC), the only woman-specific program of the Whitman-Walker Clinic.[3] In these pre-AIDS days, the clinic was one step up from a shoestring operation. Its flagship program was the Gay Men’s VD Clinic, and the vibe was overwhelmingly male.

The LRCC did peer counseling, provided referrals, and hosted a rap group. The clinic administration had agreed that on LRCC nights the clinic space would be women-only, but it was not unusual for the rap group to be interrupted by men lugging in tables and other supplies from that night’s VD clinic, which rotated among the various men’s bars and baths. When confronted about this, one guy’s surly response was typical: “Don’t forget who brings in the money around here.”

Text: “Women Unite / Stop Violence Against Women / Take Back the Night / Washington, DC 1981”

At the LRCC I did pretty much what I’d done at the Washington Area Women’s Center: staff the phone and lead rap groups. I wasn’t involved all that long, however, although I enjoyed the work. More and more I was focusing on the written word, writing and editing; other interests were falling by the wayside. I was contributing fairly regularly to off our backs and the Washington Blade, the D.C.-Baltimore area’s gay newspaper. At the Blade it gradually became apparent who was in charge and whose inclusion was strictly conditional.

Donna J. Harrington and I recounted our experiences in “The Dulling of the Blade,” a lengthy story published in the December 1980 off our backs.[4] Donna had been the Blade’s office manager and a contributing writer for about a year. I had been a contributing writer during roughly the same period, recruited at a time when the gay-male-run paper seemed eager to include lesbians.[5] Over the months, this eagerness deteriorated into hostility that was often blatantly sexist. In researching the story, Donna and I learned that our experiences were not unusual among lesbians working in gay-male-dominated organizations. These outfits had a lot in common with those run by straight men.

The opening two paragraphs from “The Dulling of the Blade”

The editor in chief denied that sexism was an issue; he attributed all problems to “individual personality clashes.” Donna and I disagreed. We concluded “that the gay men who run the Blade have serious problems with lesbian-feminists, and we have come to suspect that they do not believe that lesbian-feminists have enough ‘clout’ to make working with them worth precious male time. Their common response is to get rid of the women who make them uncomfortable. Donna and her predecessor at the Blade and D–– S–– when she was at Philadelphia Gay News had a common experience: as they became more radical, more assertive about feminist issues, and more closely identified with the women’s community, their relationships with their gay male colleagues disintegrated. Their competence and commitment abruptly came under attack.”

Clearly it wasn’t just the night that women needed to take back, and it wasn’t just straight men who were the problem. I didn’t have the patience to deal with them, or much interest in developing the skills necessary to do so. (Many years later, a girlfriend said, with a hint of exasperation, that I had “a complete absence of gush.” I was, and still am, rather pleased with this, but sometimes it does get in the way.)

Before “The Dulling of the Blade” appeared, I was getting more and more frustrated with my job as an editor in the Red Cross publications office. I loved the work. I loved the commute. I loved most of my colleagues and how well we worked together — with one exception. Go back to “1979: I Become an Editor” and you’ll recognize him immediately: Frank. Except it wasn’t so much Frank the individual: in small doses and with the right light, he provided plenty of roll-your-eyes hilarity to compensate somewhat for his incompetence. What grated on me was that he was getting away with it because the American Red Cross was letting him get away with it. Friends who worked in comparably big bureaucracies had comparable stories about incompetent, invariably male co-workers. Big bureaucracies and I were not made for each other. In the spring of 1981 I gave notice; my last day was in late May.

I planned to take a few weeks off, focus on my writing, and then decide what next. “What next” appeared sooner than expected, at my 30th birthday in early June. Watch this space: it’s coming.

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Notes

[1] The women’s dorms were on the campus periphery, much closer to Georgetown University Hospital than to the library, classroom buildings, and other centers of student life. Why? You guessed it: because until very recently the overwhelming majority of female Georgetown undergrads were in the nursing school. At night, the walkways were mostly deserted. Co-ed dorms were late coming to conservative, Jesuit-run Georgetown. One argument in their favor was that the two isolated women’s dorms made female students easy targets for predators.

[2] It would be another decade before Kimberlé Crenshaw introduced the word intersectionality, to underscore how our identities are multiple, and how the various components can both complement and contradict each other in myriad ways. However, the concept had been out there for years, and not surprisingly it was feminists of color who were in the forefront of developing it. See for instance the classic “Combahee River Collective Statement,” written by a Boston-based collective of Black feminists in 1977, first published the following year, and never more important than it is today.

[3] In the decades since, the clinic has gone big-time as Whitman-Walker Health. In the 1980s the HIV/AIDS crisis pushed other issues — and lesbians — to the periphery, but it seems that from about 1990 onward Whitman-Walker recommitted itself to “close that gap by providing comprehensive and inclusive care for the lesbian, bi, and queer women’s community” by instituting its Lesbian Services program. By the way, the Whitman in the organization’s name honors, you guessed it, Walt Whitman. The Walker is for Dr. Mary Walker, who wasn’t as far as I know a lesbian or even especially woman-identified but who was a woman pioneer in the medical field.

[4] “The Dulling of the Blade” is archived on JSTOR, along with all of oob’s back issues. “Independent researchers” can read up to 100 articles a month on JSTOR if you sign up for a free account. The access URL for the article is http://www.jstor.org/stable/25773405.

[5] I’ve heard this attributed to the vulnerability gay men were feeling in the late 1970s. Anita Bryant’s Save Our Children was in full cry, with white evangelicals at the forefront. A Dade County (FL) ordinance offering some protection on the basis of sexual orientation was overwhelmingly overturned by voters in a June 1977 referendum. In November 1978, Harvey Milk, the first openly gay elected official in California, was assassinated, along with San Francisco mayor George Moscone. By 1980, though, at least in D.C., mainstream (straight) politicians were showing up at gay (male) events, so white gay men felt more secure and hence, it seems, less in need of lesbian support. When AIDS (first known as GRID, Gay-Related Immune Deficiency) surfaced in 1981 and quickly became an epidemic, gay men pushed lesbian interests even further to the peripheries — while across the country and around the world many, many lesbians threw themselves into advocating for and taking care of their gay male friends and colleagues.