Pagans, Witches & Healers, Oh My!

Georgetown University is a Jesuit-run Catholic institution, and when I was there, 1969–1971, Catholic undergraduates were required to take four semesters of theology. Non-Catholics could take theology, but I opted for the alternative requirement, a two-year, four-semester course called Comparative Civilizations, aka “Comp Civ.” This was taught by Father Sebes, a diminutive older Jesuit whose academic background was in Far Eastern studies. The course covered Hinduism, Buddhism, Islam, and Taoism, and might (can’t remember for sure) have included some mention of the various flavors of Christianity. We referred to it as Pagan I and Pagan II.[1]

What was my image of “pagan” at that point? Surely I associated “pagan” with the gods and goddesses of ancient Greece and Rome, with the likes of Socrates, Plato, and Julius Caesar. The myths were interesting, but they were “back then,” history, and ancient history at that. Besides, the Christians had vanquished the pagans, right?

That changed big-time when I moved back to D.C. in 1977 and came out into lesbian and feminist communities that had been discussing religion, spirituality, ancient history, and related issues for years, and not with academic detachment either. Paganism, loosely defined or not defined at all, was alive, lively, and everywhere. Interest in Wicca, especially of the women-only Dianic sort, had been growing and deepening for at least a decade. (Diana and her Greek counterpart, Artemis, being the very rare goddesses who had as little to do with men as possible.)

Take Lammas Bookstore, where I quickly became a regular customer and eventually, in 1981, the book buyer. Founded in 1973, Lammas was named for the cross-quarter day between the summer solstice and the fall equinox. Before I moved back to D.C., I doubt I knew what a cross-quarter day was.

Someone must have given this to me, but I can’t remember who. This was a popular slogan. It was guaranteed to piss humorless Christians off.

The triumph of Christianity over paganism, considered a civilizational advance by the winners (surprise surprise), had also marked the “triumph” of a solitary male god over a pantheon that included goddesses as well as gods. As it turned out, over the centuries and millennia the goddesses in those pantheons had been losing power and status to the gods. In the myths I learned growing up, Hera had power but Zeus had more. It had not always been so.

I came to see Mary in a new light, as a vestige of the once powerful goddesses. The relentless male supremacists of the early Christian Church hadn’t been able to stamp her out. They co-opted her instead. Paradoxically enough, the intensely sexist and often misogynist Catholicism I’d encountered at Georgetown had a female side that the Episcopalianism I’d grown up with lacked.

The Christians were adept at co-opting what they couldn’t entirely suppress. Many major Christian holidays piggy-backed (that’s a polite term for it) on the old pagan solstices, equinoxes, and cross-quarter days: Christmas is Yule (winter solstice), Easter (spring equinox), and so on. The pagan year began with Samhain, Halloween, which I like most of my cohort learned about as a kid in single digits.[2] Clearly there was much more to it than trick-or-treating.

Getting ready to pop the cork at a Lammas anniversary celebration. From left: Liz Snow of Ladyslipper, Lammas owner Mary Farmer, me, Tina Lunson (printer), and Deb Morris. Probably 1983.

Lammas celebrated its anniversary every year with champagne and a big sale; the ceiling of the Seventh Street store was cork-pocked from those celebrations. Lesbian households might observe the various pagan/wiccan holidays, and often enough there were well-attended public rituals that featured singing, poetry, and lots of candles. We identified ourselves to each other by the jewelry we wore (pentacles, labryses,[3] goddess figures), the greetings we exchanged, and of course our T-shirts.

Pulling off my shelves the books that I devoured then and haven’t let go of, I can’t help noticing how many were published in 1979, just as my curiosity was flowering:

  • Starhawk’s The Spiral Dance, which introduced me and countless others to the Wheel of the Year and wiccan rituals
  • Margot Adler’s Drawing Down the Moon, a journalist’s in-depth survey of, as the subtitle put it, “Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today” (an expanded edition was released in 1984)[4]
  • Merlin Stone’s two-volume Ancient Mirrors of Womanhood: Our Goddess and Heroine Heritage, a compilation of goddess stories from every continent inhabited by humans
  • Part 1 of Z. Budapest’s The Holy Book of Women’s Mysteries (part 2 came out in 1980)
  • Elaine Pagels’s The Gnostic Gospels, which explored the early texts that didn’t make it into the Christian canon, in which God was seen as both Mother and Father
  • JEB’s Eye to Eye: Portraits of Lesbians, which includes several witchy photos and witchy quotes
Lunar imagery was everywhere, and lunar calendars were popular. The connection to women’s cycles is not coincidental.

The previous year’s crop is just as impressive. Among the feminist essentials with major pagan connections published in 1978 were Mary Daly’s Gyn/Ecology, Sally Gearhart’s The Wanderground: Stories of the Hill Women, Susan Griffin’s Woman and Nature: The Roaring Inside Her, and the paperback of Merlin Stone’s When God Was a Woman.

Considering the time it takes to produce a book-length work, from research and writing through to physically producing it and getting it into the hands of interested readers, it was obvious the cauldron had been bubbling for quite some time.

For women awakening to feminism in the late 1960s and early 1970s, the past looked like a wasteland. But once women got to work researching and revisiting, rethinking and rearranging, the desert bloomed. For us coming of age in the 1960s, ’70s, and into the ’80s, as women’s studies professor Bonnie Morris writes, “It became second nature to have to look hard for lost history.” She compares it to “the upbeat excitement of a fierce girl detective searching for clues.”[5]

Among many other things, we learned that men called women “witches” in order to persecute, prosecute, and not infrequently kill them, and that this often had little or nothing to do with religion. Women who used herbs, touch, and common sense to heal were said to be practicing magic — exercising powers that men didn’t have and didn’t understand. As the male-dominated medical profession rose in influence, female healers were marginalized, their wisdom dismissed as superstition and “old wives’ tales.”[6]

The history that could be documented or otherwise proven beyond reasonable doubt was crucial, but so were the improvisations, the mythmaking and rituals, inspired by it. Some of the most-quoted lines of grassroots feminism came from Monique Wittig’s Les Guérillères, published in 1969 and translated into English in 1971. They describe pretty well what we were up to: “There was a time when you were not a slave, remember that. You walked alone, full of laughter, you bathed bare-bellied. You say you have lost all recollection of it, remember . . . You say there are no words to describe this time, you say it does not exist. But remember. Make an effort to remember. Or, failing that, invent.”

Remember. Make an effort to remember. Or, failing that, invent.

Monique Wittig, Les Guérillères

NOTES

[1] A Google search just turned up this short Washington Post piece about the course from 1993. It confirms my memory that Father Sebes’s background was indeed in Far Eastern studies; while living in China from 1940 to 1947, he spent part of the time interned by the Japanese. It disputes my description of him as “older”: born in 1915, he was only a few years older than my parents, who were both born in 1922. The author writes that “Comp Civ” was popularly known as “Buddhism for Baptists,” but I never heard it called that — and why Baptists? I couldn’t have told you which of my non-Catholic classmates came from Baptist households. Protestant denominations were all lumped together as “Other.”

[2] Halloween was also my mother’s birthday. I could tell a few stories about that, but instead I’ll tell one that my mother repeated fairly often. Her father (an embittered, said-to-be-brilliant upper-crusty WASP man) would tell her “You were born on Halloween so you’re a witch. If you’d been born a day later, you would have been a saint.” Nov. 1 being All Saints Day in many Christian calendars. Witches to me were Halloween, the Salem witch trials, and The Wizard of Oz. Glinda to the contrary, my associations weren’t positive.

[3] The labrys, a double-headed axe, originated in ancient Crete and has been adopted especially by lesbian feminists as a symbol of female strength. It was all over the place in the 1970s and beyond, on T-shirts and pottery, in jewelry and artwork. There are two classic examples in my Mary Daly blog post, one on a T-shirt and one in Mary’s hands. Mary was a hardcore labrys fan.

[4] One of life’s little synchronicities: Margot Adler and her longtime partner, John Gliedman, had their handfasting at the Lambert’s Cove Inn in West Tisbury when I was a chambermaid there: June 18, 1988, I’m told by this very good biographical article about her. The inn hosted many weddings during the years I worked there (1988 to 1990 or maybe 1991), but this was by far the best. I was just reminded that Adler’s middle name was Susanna, spelled the way I spell it.

[5] In The Disappearing L: Erasure of Lesbian Spaces and Culture (Albany: State University of New York Press, 2016). I hope The T-Shirt Chronicles will do its bit to push back against this erasure.

[6] In one of the many, many instances of reclaiming that have characterized feminism, “Old Wives Tales” was the name of San Francisco’s feminist bookstore. An excellent source on the how patriarchal medicine stigmatized women healers is Adrienne Rich’s Of Woman Born: Motherhood as Experience and Institution. First published in 1976, it’s still in print.

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Three more from my wardrobe. Left: The words say “Buto, Egyptian cobra goddess of protection.” Center: The flip side says “and the moon sees me.” This goes back at least to an English nursery rhyme of the late 18th century, but it and its variations show up in quite a few songs and kids’ books. Right: The image is inspired by prehistoric cave paintings. The theory is that these uncredited artworks were often created by women.

Reviewing Gyn/Ecology for off our backs

Mary Daly’s Gyn/Ecology: The Metaethics of Radical Feminism (Boston: Beacon Press, 1978) was bigger than a bombshell in the feminist world. It was more like an asteroid crashing into the ocean, creating a tsunami. I was a newcomer in the D.C. community, and not yet well grounded in feminist theory, never mind feminist theology, so it’s a bit of a wonder that I got to review Gyn/Ecology for off our backs.

off our backs, known to its friends as oob, was the hometown newspaper of D.C.’s feminist and lesbian communities, but it was also a national and even international publication. It was run by a collective, but every month the two-room walk-up office off Connecticut Ave. NW, opened up for layout weekend. By that point most of the writing and editing had been done and it was all hands on deck, supporters as well as collective members, to do the typing and paste-up necessary to produce the next issue. The rush to deadline made comrades and colleagues of us all. Everyone who helped out was listed among the Friends on the staff block for that issue.

My visual memory of the oob office is of a crowded, no-frills workspace whose walls were papered with posters from recent feminist history and covers from previous issues. I remember picking up the phone once — when the phone rang during layout, whoever was closest grabbed it — and it turned out to be someone I knew from Martha’s Vineyard who was involved in the women’s health movement. My worlds sometimes collided in interesting ways.

I did the typing and probably the layout for my Gyn/Ecology review, and for most of the articles I contributed to oob over the years, mostly interviews and book reviews. My typing ability came in handy, as did my facility with presstype. Here is what the layout looked like:

Apart from ads that came in camera-ready, all copy was produced on IBM Selectric typewriters. Veteran typists of the era will recognize the typeface as Letter Gothic, a popular Selectric sans serif option. Note that book titles are underscored, not italicized, even though we clearly had access to an italic typeball. Swapping typeballs in and out slowed you way down and often got ink on your fingers, so italics were only used for larger chunks of text — in this case quotes from the book being reviewed.

In those days, oob always put bylines at the end of stories, a characteristically feminist strategy to keep readers’ focus on the text instead of the author. I wasn’t the only one who would sometimes read the first few lines of a long story then skip to the end before deciding to continue.

Headings were done with presstype. This one is pretty good, but it’s hard not to notice that the baseline wobbles a little and that the space between “of” and “radical” is twice what it ought to be.

Typing was done on ordinary bond paper with margins set to the paper’s column width. If you caught a typo while you were typing, you fixed it with correction tape, which was preferable to correction fluid (like Liquid Paper or Wite-Out) because it didn’t have to dry. The newer Correcting Selectrics had a correction ribbon built in, parallel to the ink ribbon. I can’t remember if off our backs had any of them when I was involved.

Once completed, the typescript was sprayed with silicone to keep the ink from smearing, then cut with X-acto knives, waxed with a hand waxer, and pasted up on layout boards. The boards from the previous issue would have been stripped for reuse; they were reused until they wore out. Once in a while a page would go to print with the folio (running head) from the previous issue, meaning the date at the top of the page was wrong, but considering the intense, barely controlled chaos of layout weekend and the fact that most of us were amateurs, the gaffes were remarkably few.


Reading the first paragraph of my Gyn/Ecology review for the first time in at least 35 years confirms my memory: while writing it, I was terrified that I couldn’t do the book justice:

“I have been living with Gyn/Ecology: The Metaethics of Radical Feminism for about four months now–reading, rereading, reflecting, rejoicing, growing impatient with my fear of taking on such a magnificent, vast and tightly-woven book. Gyn/Ecology is written to us, for us, from our experience, about us, the untamed, the Hags, the “women reluctant to yield to wooing”. It is a process that aims to transcend the limits of writing, to break down the walls between the writer and reader and the  usual distinction between the creating and the product. Gyn/Ecology is breath-taking in its reach, astonishing in its power–yet it is also intensely personal and has exacted from me an intensely personal response. I write, therefore, to review not the book alone but the part it has played on my own journey into woman-defined space.”

Gyn/Ecology is grim in its exploration of misogyny across cultures and across the centuries, but when it comes to language it’s also immensely playful. As its title suggests, it breaks words apart and prompts one to look at them in unexpected ways. Does “recover,” for instance, mean to regain or to cover up again? Or maybe both at the same time?

From my copy of Gyn/Ecology

In the last paragraph, I write that “Gyn/Ecology, this wonderful, brilliant amazing Hysterical book, spins itself beyond the words that Mary Daly wrote.” It spun me well beyond writing the review. Though then as now I was happier playing first lieutenant than instigator, I led an ad hoc group — we called ourselves, of course, the D.C. Hags — to bring Mary to town. The SRO event was held in a lecture hall at George Washington University on March 23, 1979, with a book signing at Lammas the next day (I know that because the dates appear at the end of the review).

Then, in early April, a friend and I took the Night Owl train from D.C. to Boston to attend “We Have Done with Your Education,” a rally supporting Mary in one of her frequent battles with Boston College. Since BC, like Georgetown U., is Jesuit-run, I found it borderline miraculous that she got tenure and thrived there as long as she did. Not till 1999 was she forced to take early retirement because she insisted on keeping her advanced women’s studies courses women-only. (She would tutor privately any men who wanted to take the course.) The rally, held at Boston University, was held on April 8, 1979 — I know that because it’s on the T-shirt. Its title was based on a quote from Virginia Woolf’s Three Guineas (Daly embraced Woolf as a foremother):

“And let the daughters of educated men dance round the fire and heap armful upon armful of dead leaves upon the flames. And let their mothers lean from the upper windows and cry, ‘Let it blaze! Let it blaze! For we have done with this “education”!’”

As a daughter of educated men, I might well have been dancing round the fire. The less predictable part is that my mother, Chiquita Mitchell Sturgis, might actually have been leaning from the upper windows. At the time, she was a clerical at Beacon Press, Unitarian Universalist–affiliated publisher of Mary Daly and many other essential feminist, liberal, and progressive writers, so requesting a Beacon book or contacting a Beacon author often meant working with my mother. What she made of Mary’s books I’ll never know, but she liked Mary and we both liked having something in common that had nothing to do with family or hometown.

Mary died on January 3, 2010. My obituary for her was published in the May/June 2010 Women’s Review of Books. Unfortunately it’s not available online, but fortunately (wonder of wonders) I still have the print version. Rather than focus on (obsess about?) Mary’s forced retirement from Boston College, which the mainstream media were covering ad nauseam, I started off by summarizing the “far more intriguing . . . story of how a nice Catholic girl from Schenectady, New York . . . transformed herself into a ‘revolting hag’ whose advice to posterity is ‘sin big.’”[1]

“Daly’s searchings were wild, exhilarating, infuriating, inspiring,” I wrote. “But I didn’t become a Daly groupie. As a reader, a writer, and a thinker, I’ve always been a pick-and-choose synthesizer. A few of Daly’s protégées, including Janice Raymond,[2] took her insights and tools and created powerful work with them. In less able hands, though, those insights and tools became little more than parlor tricks.”

My mother worked at Beacon Press, publisher of Mary Daly and other essential feminist writers, from the mid-1970s to the late ’80s.

When I wrote that obit for Mary Daly, I’d been an editor for more than 30 years, so it’s not all that surprising that I contributed to the Women’s Review of Books blog a post titled “Beyond God the Style Guide: Me? Edit Mary Daly?” Could I have done it? The mere thought was daunting, “even though,” I noted, “I’m the kind of copyeditor who argues with the dictionary, cheerfully makes exceptions to Chicago, and lets my authors do pretty much what they want as long as it makes sense and will (probably) pass muster with the publisher.”

Being a writer and a feminist as well as an editor, I went on: “From Church and the Second Sex onward, Mary Daly was continually improvising words and imagery to convey what hadn’t been conveyed before, and to examine ideas taken for granted for so long that they actively resisted exploration. Breaking trail is demanding and exhausting work. Being among the first to follow in a freshly broken trail isn’t exactly like traveling a paved road either.”

And that’s what editing Mary Daly would have been like: “following in a freshly broken trail.” Would I have been up to it? At the time Gyn/Ecology came out, almost certainly not. A few years later, fully fledged as an editor and more flexible than I’d been as an apprentice, I think I could have done it, though not without the terror that gripped me while I was writing that review.

notes

[1] Sources were Mary’s Outercourse: The Be-Dazzling Voyage (New York: HarperSanFrancisco, 1992) and “Sin Big,” in The New Yorker, February 26, 1996. To explore, or revisit, Mary’s work, check out The Mary Daly Reader, edited by Jennifer Rycenga and Linda Barufaldi (New York University Press, 2017).

[2] My interview with Jan Raymond appeared in off our backs for October 1979.

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This is the photo that appeared with my obituary for Mary. No credit was given, but if you know who the photographer was, please let me know and I’ll add it in. I can’t tell you how much I love this picture.