I’ve got 190 T-shirts. If I wore one a day every day during T-shirt weather, it would take more than two years to wear them all. It’s never come close to happening. No one needs 190 T-shirts, right?
What if I said that these T-shirts date back to 1976, which is to say more than half my life, and that they chronicle the twists and turns that my life has taken since, well, 1976?
And touched on many events and movements of interest to the wider world?
The other day I took them out and tried to sort them into chronological order. They weren’t into chronology. Some of them insisted on sorting themselves by theme, even if they’d come into my life decades apart: feminism, lesbian community, demonstrations, science fiction, writing, editing, bookselling, music, horses, dogs, Martha’s Vineyard . . .
I couldn’t ignore the shimmering lines where one shirt reached out to another, and often several others, sometimes over two or three decades, sometimes making connections I hadn’t anticipated. My T-shirts were hyperlinked. They wouldn’t fall into a straight line. Whatever shape they agreed to would have to be multi-dimensional.
Over the years quite a few people have suggested making a quilt — or, since sewing patches on jeans and buttons on shirts is all I can do with needle and thread, commissioning someone else to make a quilt. They’ve got a point. I’ve seen beautiful quilts that commemorate histories, personal and otherwise. But I don’t need another quilt, nor do I have wall space to hang one that’s purely decorative.
Besides, quite a few of my T-shirts come attached to stories that couldn’t be contained in a quilt square, and not infrequently those stories overlap. How would any quilter know what my shirts have to say about each other, and about me, without me standing by and pestering her with commentary? I’m a writer, not a quilter. I should be writing the stories, not dictating them to someone else. (Yes, I do know quite a few women who both quilt and write.)
Not to mention — T-shirts are meant to be worn. Which brings me round to why I glommed on to T-shirts in the first place. Here’s the story I’ve been telling myself:
Through my late teens and well into my early thirties I was fat. I’ve never been thin, but in those years I was fat enough to have to buy most of my clothing in plus-size stores. I knew nothing about fashion and cared less, and in any case, in those days the notion that a woman could be both fat and fashionable was oxymoronic. Fat women were supposed to dress to make ourselves unobtrusive, for instance by wearing dark colors and/or vertical stripes. Dark colors and/or vertical stripes don’t make you unobtrusive; they make it look like you’re trying to look unobtrusive — to efface if not erase yourself. To apologize for the space you were taking up.
My sartorial tastes ran more to denim and flannel. Relatively late in life it dawned on me that since I was about 12, I’d been arranging my life so I could dress as if I worked in a barn — which I did through my teen years and again through my fifties (we’ll get to that eventually). College campuses fit the bill, as did the antiwar and women’s liberation movements. I like to think that I went through the early to mid 1970s wearing only jeans and blue work shirts, but this could not possibly be true: I only had two or three of each, I didn’t do laundry all that often, and though I’m casual to a fault, grunge has never been my style.
Whatever I wore, though, it was not meant to draw attention to my body. I was not the least bit shy, however, about drawing attention to my political proclivities, which were made obvious by what came out of my mouth and what I put down on paper, and by my political buttons. When I imagine myself in those years, what I see is a stocky (to put it politely) woman of average height, with unruly (again, I’m being generous here) brown hair, wearing jeans, a baggy shirt, and an assortment of political buttons. The buttons identified me; to some extent they even spoke for me, though I was always ready, willing, and able to back them up with words.
My theory is that in the late 1970s, T-shirts supplanted buttons as my preferred way of announcing myself. They were colorful, they were cheap, the sizing was predictable, and they relieved me of having to shop. The blouses available in the plus-size stores weren’t me at all, and men’s sizes have never agreed with either my breasts or my hips — apart from T-shirts, of course, which in those days didn’t try to be form-fitting. So one shirt led to another, and another, and another. Even now they keep coming, no matter how often I say “Not one more!”
My wardrobe has diversified somewhat over the years, but T-shirts remain my go-to warm weather wear and on Martha’s Vineyard, where I’ve lived for the last 35 years, it’s absolutely OK to dress as if you work in a barn, or on a farm, or in a garden — which quite a few of us do.
Though T-shirts were an inextricable part of my life, and at some point in some circles I became somewhat notorious for my T-shirts, I never thought of using them to chronicle my personal history. Then, for my 50th birthday party, in June 2001, I hung 25 or 30 of my T-shirts around the living room to represent my previous two and a half decades. I loved the way they communicated with each other displayed side by side, out in the open. My party guests, almost none of whom had known me for more than five or six years and some of whom were barely half my age, were fascinated. They asked questions. I answered with stories.
I’m pretty sure that’s where the idea of the T-Shirt Chronicles took root. For many years it gestated underground. Eventually I started saying out loud that it was something I meant to do “one of these days.” Once I discovered social media and started blogging, the blog seemed the ideal format for it. Now “one of these days” has arrived.
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6 thoughts on “Introduction”
Love this and I look forward to story after story the shirts can tell.
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My first comment! 🙂
How about a short essay about each shirt? That might make an interesting and (knowing you) funny autobiographical book illustrated by
photos of each shirt. It would be fun to flip through and both inspirational and educational for the rest of us.
Or you could finish the sequel to The Mud of the Place… Whatever you write I look forward to reading. Stay well! Ellen
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Well, as I wrote in the Intro, the shirts connect with each other in often unexpected ways, across time and subject matter. I think treating them one by one would lose the connections and also get repetitive PDQ. This project is made for hyperlinks, and I expect to be using them liberally as I get further into it. I’m planning to go more or less chronologically, but timeline isn’t exactly linear, plus it’s got multiple branches. So we shall see!
Do you have a favorite? Or how about top 5?
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Ooh, tough question! SECEDE NOW might be my very most favorite, but coming up with a top 5 or even a top 10? That’s harder. The ones I wear the most often tend to be the newest, and in the last four years (as you might guess) most of them have been political — and most of the non-political ones have to do with malamutes. I’m going to think about this!